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	<title>John Menick&#039;s Blog &#187; Criticism</title>
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	<link>http://blog.johnmenick.com</link>
	<description>Art, film, prose, and politics</description>
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		<title>Jose Carlos Avellar gives props to Rosalind Krauss in&#8230; Variety?</title>
		<link>http://blog.johnmenick.com/2007/01/jose-carlos-avellar-gives-props-to-rosalind-krauss-in-variety</link>
		<comments>http://blog.johnmenick.com/2007/01/jose-carlos-avellar-gives-props-to-rosalind-krauss-in-variety#comments</comments>
		<pubDate>Wed, 03 Jan 2007 22:54:24 +0000</pubDate>
		<dc:creator>John Menick</dc:creator>
				<category><![CDATA[Criticism]]></category>
		<category><![CDATA[Film]]></category>

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		<description><![CDATA[<blockquote><a href="http://www.variety.com/awardcentral_article/VR1117955863.html?nav=news&#038;categoryid=1985&#038;cs=1">Avellar</a>: I enjoy reading other critics, not only film critics but also art and literature critics -- just coming to mind is some writing by Rosalind Krauss, for example. I think I started to write about cinema after reading the texts by (Sergei) Eisenstein that gave me the feeling that to write and read about films could be as good as seeing or making a film.

And still today, I remember how good the feeling was to read for the first time not only Eisenstein (it is a very special case, of course) but also (Andre) Bazin, (Jean) Epstein, (Pier Paolo) Pasolini, (Siegfried) Kracauer. ... In this field, some anthologies or essay books -- as in Brazil, the ones by Ismail Xavier and Jean-Claude Bernardet -- are a good help.</blockquote>

Worth a read.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Zizek in Sophie Fiennes documentary &#8220;The Pervert&#8217;s Guide to Cinema&#8221;</title>
		<link>http://blog.johnmenick.com/2006/11/zizek-in-sophie-fiennes-documentary-the-perverts-guide-to-cinema</link>
		<comments>http://blog.johnmenick.com/2006/11/zizek-in-sophie-fiennes-documentary-the-perverts-guide-to-cinema#comments</comments>
		<pubDate>Sun, 05 Nov 2006 23:47:09 +0000</pubDate>
		<dc:creator>John Menick</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Criticism]]></category>
		<category><![CDATA[Film]]></category>
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		<slash:comments>0</slash:comments>
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		<title>Serge Daney on Catastrophe</title>
		<link>http://blog.johnmenick.com/2006/10/serge-daney-on-catastrophe</link>
		<comments>http://blog.johnmenick.com/2006/10/serge-daney-on-catastrophe#comments</comments>
		<pubDate>Thu, 26 Oct 2006 16:13:10 +0000</pubDate>
		<dc:creator>John Menick</dc:creator>
				<category><![CDATA[Criticism]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Secret Life of Things]]></category>

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		<description><![CDATA[A <a href="http://sergedaney.blogspot.com/2006/10/politics-of-catastrophe-movies-2.html">rough translation</a> from <a href="http://sergedaney.blogspot.com/">Serge Daney in English</a>:]]></description>
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		<slash:comments>0</slash:comments>
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		<title>The History of a Second: Godard&#8217;s Moments Choisis des Histoire(s) du Cinéma</title>
		<link>http://blog.johnmenick.com/2006/05/the-history-of-a-second-godards-moments-choisis-des-histoires-du-cinema</link>
		<comments>http://blog.johnmenick.com/2006/05/the-history-of-a-second-godards-moments-choisis-des-histoires-du-cinema#comments</comments>
		<pubDate>Mon, 29 May 2006 17:35:13 +0000</pubDate>
		<dc:creator>John Menick</dc:creator>
				<category><![CDATA[Criticism]]></category>
		<category><![CDATA[Film]]></category>

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		<description><![CDATA[For whatever reason, <a href="http://www.brightlightsfilm.com/">Bright Lights</a> film journal decides to publish its online content like a print journal, which means quarterly, and which also means avid fans such as my self only check in a few times a year. (At least give us some weekly content!) Issue 52 is out, and Robert Keser's <a href="http://www.brightlightsfilm.com/52/moments.htm">article</a> on Godard's <a href="http://imdb.com/title/tt0801514/"><em>Moments Choisis des Histoire(s) du Cinéma</em></a> is worth a look. It also jogged a memory of the film's premier in New York a few years ago.]]></description>
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		<slash:comments>2</slash:comments>
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		<title>Ren&#233; Clair’s Paris qui dort &#8212; Notes Towards a General Outline of Apocalyptic Films (Part I)</title>
		<link>http://blog.johnmenick.com/2006/03/ren-clair%e2%80%99s-paris-qui-dort-notes-towards-a-general-outline-of-apocalyptic-films-part-i</link>
		<comments>http://blog.johnmenick.com/2006/03/ren-clair%e2%80%99s-paris-qui-dort-notes-towards-a-general-outline-of-apocalyptic-films-part-i#comments</comments>
		<pubDate>Tue, 28 Mar 2006 00:20:52 +0000</pubDate>
		<dc:creator>John Menick</dc:creator>
				<category><![CDATA[Criticism]]></category>
		<category><![CDATA[Film]]></category>

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		<description><![CDATA[<img alt="paris qui dort" src="http://blog.johnmenick.com/paris_qui_dort.jpg" width="450" height="214" />

If one were to make a chronological list of ‘<a href="http://www.imdb.com/keyword/last-man-on-earth/" target="_blank">last-person-on-earth</a>’ films, somewhere near the top, if not leading the list, would be <a href="http://www.imdb.com/name/nm0163229/" target="_blank">Ren&#233; Clair</a>’s 1924 silent short, <i><a href="http://www.imdb.com/title/tt0015214/" target="_blank">Paris qui dort</a></i>. Called alternatively in English <i>Paris Asleep</i>, <i>The Crazy Ray</i> and <i>At 3:25</i>, and inexplicably expanded to longer running times by distributors, <i>Paris qui dort</i> is currently available in the US in the director’s preferred 35-minute form as an extra on <a href="http://www.criterionco.com/asp/" target="_blank">Criterion</a>’s release of <i><a href="http://www.criterionco.com/asp/release.asp?id=161" target="_blank">Under the Roofs of Paris</a></i>.]]></description>
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