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	<title>John Menick&#039;s Blog &#187; Filmmakers</title>
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	<link>http://blog.johnmenick.com</link>
	<description>Art, film, prose, and politics</description>
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			<item>
		<title>Crazy Fool Cocksucker: Some Notes on Rip Torn in Maidstone</title>
		<link>http://blog.johnmenick.com/2010/02/rip-torn-norman-mailer-maidstone</link>
		<comments>http://blog.johnmenick.com/2010/02/rip-torn-norman-mailer-maidstone#comments</comments>
		<pubDate>Fri, 05 Feb 2010 17:28:54 +0000</pubDate>
		<dc:creator>John Menick</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Filmmakers]]></category>
		<category><![CDATA[maidstone]]></category>
		<category><![CDATA[norman mailer]]></category>
		<category><![CDATA[rip torn]]></category>

		<guid isPermaLink="false">http://blog.johnmenick.com/?p=305</guid>
		<description><![CDATA[The following short piece was written as part of the screening series &#8220;Goddammed Films&#8221; at Petra gallery, February 6, 2010. Follow the link for screening times and films. The series is part of SITAC happening this week in Mexico City.

A guerrilla raid on the nature of reality. That’s how the director billed it. Whose reality, [...]]]></description>
		<wfw:commentRss>http://blog.johnmenick.com/2010/02/rip-torn-norman-mailer-maidstone/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>RIP: Antonioni and Bergman</title>
		<link>http://blog.johnmenick.com/2007/07/rip-antonioni-and-bergman</link>
		<comments>http://blog.johnmenick.com/2007/07/rip-antonioni-and-bergman#comments</comments>
		<pubDate>Tue, 31 Jul 2007 17:30:06 +0000</pubDate>
		<dc:creator>John Menick</dc:creator>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[Filmmakers]]></category>
		<category><![CDATA[Ingmar Bergman]]></category>
		<category><![CDATA[Michelangelo Antonioni]]></category>
		<category><![CDATA[Obits]]></category>

		<guid isPermaLink="false">http://blog.johnmenick.com/2007/07/rip-antonioni-and-bergman</guid>
		<description><![CDATA[

]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Why did the UFO crash?</title>
		<link>http://blog.johnmenick.com/2007/07/john-carpenter-the-thing-bfi-anne-billson-outpost-31</link>
		<comments>http://blog.johnmenick.com/2007/07/john-carpenter-the-thing-bfi-anne-billson-outpost-31#comments</comments>
		<pubDate>Thu, 26 Jul 2007 00:11:20 +0000</pubDate>
		<dc:creator>John Menick</dc:creator>
				<category><![CDATA[Fandom]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Filmmakers]]></category>
		<category><![CDATA[John Carpenter]]></category>
		<category><![CDATA[The Thing]]></category>
		<category><![CDATA[Web sites]]></category>

		<guid isPermaLink="false">http://blog.johnmenick.com/2007/07/john-carpenter-the-thing-bfi-anne-billson-outpost-31</guid>
		<description><![CDATA[
Since I was a teenager, I&#8217;ve been more than slightly obsessed with John Carpenter&#8217;s The Thing. I&#8217;ve probably seen the film a dozen times or more. I&#8217;ve read, and highly recommend, the Anne Billson&#8217;s BFI study. I&#8217;ve defended it to fellow film buffs as one of the best films of the 1980s, period. I even [...]]]></description>
		<wfw:commentRss>http://blog.johnmenick.com/2007/07/john-carpenter-the-thing-bfi-anne-billson-outpost-31/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Just Published: POETICS OF CINEMA 2 by Raul RUIZ</title>
		<link>http://blog.johnmenick.com/2007/02/just-published-poetics-of-cinema-2-by-raul-ruiz</link>
		<comments>http://blog.johnmenick.com/2007/02/just-published-poetics-of-cinema-2-by-raul-ruiz#comments</comments>
		<pubDate>Fri, 23 Feb 2007 18:37:13 +0000</pubDate>
		<dc:creator>John Menick</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Filmmakers]]></category>

		<guid isPermaLink="false">http://localhost/johnmenick/blog/2007/02/23/just-published-poetics-of-cinema-2-by-raul-ruiz</guid>
		<description><![CDATA[From Dis Voir:

<blockquote>Following his research in Poetics of Cinema, 1 on new narrative models as tools for apprehending a fast-shifting world, Raul Ruiz makes with Poetics of cinema 2 an appeal for an entirely new way of filming, writing and conceiving the image.


“Eleven years separate these lines from the first part of my Poetics of Cinema. Meanwhile the world has changed and cinema with it. Poetics of Cinema, 1 had much of a call to arms about it. What I write today Poetics of cinema 2 is rather more of a consolatio philosophica. However, let no one be mistaken about this, a healthy pessimism may be better than a suicidal optimism.

‘Light, more light,’were Goethe’s last words as he died. ‘Less light, less light,’ Orson Welles cried repeatedly on a set—the one and only time I saw him.
In today’s cinema (and in today’s world) there is too much light. It is time to return to the shadows. So, about turn! And back to the caverns!”. R.R</blockquote>

Available from <a href="http://amazon.com/exec/obidos/ASIN/2914563256/johnmenickcom-20">Amazon</a>.]]></description>
		<wfw:commentRss>http://blog.johnmenick.com/2007/02/just-published-poetics-of-cinema-2-by-raul-ruiz/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Jean-Luc Godard in Wim Wender&#8217;s Room 666</title>
		<link>http://blog.johnmenick.com/2007/02/jean-luc-godard-in-wim-wenders-room-666</link>
		<comments>http://blog.johnmenick.com/2007/02/jean-luc-godard-in-wim-wenders-room-666#comments</comments>
		<pubDate>Fri, 23 Feb 2007 15:14:59 +0000</pubDate>
		<dc:creator>John Menick</dc:creator>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[Filmmakers]]></category>

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		<description><![CDATA[<img src="/images/jlg_room_666_01.jpg" alt="Jean-Luc Godard in Wim Wender's Room 666" />]]></description>
		<wfw:commentRss>http://blog.johnmenick.com/2007/02/jean-luc-godard-in-wim-wenders-room-666/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Werner Herzog: The Secret Mainstream</title>
		<link>http://blog.johnmenick.com/2007/02/werner-herzog-the-secret-mainstream</link>
		<comments>http://blog.johnmenick.com/2007/02/werner-herzog-the-secret-mainstream#comments</comments>
		<pubDate>Wed, 14 Feb 2007 13:34:06 +0000</pubDate>
		<dc:creator>John Menick</dc:creator>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Filmmakers]]></category>

		<guid isPermaLink="false">http://localhost/johnmenick/blog/2007/02/14/werner-herzog-the-secret-mainstream</guid>
		<description><![CDATA[I was too late in finding out about the <a href="http://www.nypl.org/research/chss/pep/pepdesc.cfm?id=2669">Werner Herzog talk</a> this Friday to get tickets, but in the meantime there's Tom Bissell's <em><a href="http://www.harpers.org/TheSecretMainstream.html">The Secret Mainstream: Contemplating the mirages of Werner Herzog</a></em>.]]></description>
		<wfw:commentRss>http://blog.johnmenick.com/2007/02/werner-herzog-the-secret-mainstream/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>David Lynch</title>
		<link>http://blog.johnmenick.com/2007/01/david-lynch</link>
		<comments>http://blog.johnmenick.com/2007/01/david-lynch#comments</comments>
		<pubDate>Wed, 03 Jan 2007 21:58:39 +0000</pubDate>
		<dc:creator>John Menick</dc:creator>
				<category><![CDATA[Video]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Filmmakers]]></category>

		<guid isPermaLink="false">http://localhost/johnmenick/blog/2007/01/03/david-lynch</guid>
		<description><![CDATA[Talks <a href="http://www.wired.com/news/culture/0,72340-0.html">DV</a> and <a href="http://www.nytimes.com/2006/12/31/fashion/31lynch.html?ex=1325221200&#038;en=bf2b560ef99bfebf&#038;ei=5090&#038;partner=rssuserland&#038;emc=rss">TM</a>.]]></description>
		<wfw:commentRss>http://blog.johnmenick.com/2007/01/david-lynch/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;The Case of the Grinning Cat&#8221; opens at Film Forum</title>
		<link>http://blog.johnmenick.com/2006/12/the-case-of-the-grinning-cat-opens-at-film-forum</link>
		<comments>http://blog.johnmenick.com/2006/12/the-case-of-the-grinning-cat-opens-at-film-forum#comments</comments>
		<pubDate>Wed, 20 Dec 2006 16:03:22 +0000</pubDate>
		<dc:creator>John Menick</dc:creator>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Filmmakers]]></category>

		<guid isPermaLink="false">http://localhost/johnmenick/blog/2006/12/20/the-case-of-the-grinning-cat-opens-at-film-forum</guid>
		<description><![CDATA[<img alt="chat" src="http://blog.johnmenick.com/images/chat.jpg" width="450" height="338" />

<a href="http://www.villagevoice.com/film/0651,hoberman,75338,20.html">The Voice</a> and <a href="http://www.indiewire.com/movies/2006/12/review_chit_cha.html">indieWIRE</a> have reviews for the <a href="http://www.filmforum.org/films/case.html">Film Forum screenings</a>. Complete photos by <a href="http://www.flickr.com/photos/tofz4u/sets/1691054/">tofz4u</a>.]]></description>
		<wfw:commentRss>http://blog.johnmenick.com/2006/12/the-case-of-the-grinning-cat-opens-at-film-forum/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Herzog in Antarctica</title>
		<link>http://blog.johnmenick.com/2006/12/herzog-in-antarctica</link>
		<comments>http://blog.johnmenick.com/2006/12/herzog-in-antarctica#comments</comments>
		<pubDate>Wed, 20 Dec 2006 15:32:55 +0000</pubDate>
		<dc:creator>John Menick</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Filmmakers]]></category>
		<category><![CDATA[Travel]]></category>

		<guid isPermaLink="false">http://localhost/johnmenick/blog/2006/12/20/herzog-in-antarctica</guid>
		<description><![CDATA[“[The harshness of the place is] a perpetuated sort of image since the days of 1903 or 1910 or 1911, when Scott and Amundsen and Shackleton were out here,” <a href="http://www.signonsandiego.com/news/features/20061218-0401-antarctica-herzog.html">he said</a>. “Now you have got a cafeteria, you have got the barber shop and the TV station. You've got the ATM machine, so what else can you ask for?”]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Another bunch of random links and quotes</title>
		<link>http://blog.johnmenick.com/2006/12/another-bunch-of-random-links-and-quotes</link>
		<comments>http://blog.johnmenick.com/2006/12/another-bunch-of-random-links-and-quotes#comments</comments>
		<pubDate>Wed, 20 Dec 2006 02:04:03 +0000</pubDate>
		<dc:creator>John Menick</dc:creator>
				<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Filmmakers]]></category>
		<category><![CDATA[Literature]]></category>
		<category><![CDATA[Ruins]]></category>

		<guid isPermaLink="false">http://localhost/johnmenick/blog/2006/12/19/another-bunch-of-random-links-and-quotes</guid>
		<description><![CDATA[* "Shoot all scriptwriters," <a href="http://www.wired.com/news/culture/0,72318-0.html?tw=rss.index">he wrote</a> in his popular, long-running Village Voice column, "and we may yet have a rebirth of American cinema."

* "The original plan for the film was that every shot would be digitally placed over archival footage. So that literally, the film would be "shot" in 1945 Berlin; the actors would be green-screened over archival. There was a scene in a butcher shop, for example, and I had to find every camera angle we needed in a butcher shop in 1945 Berlin. If there was a scene outdoors, a destroyed park or a zoo, I had to find those camera angles. There was interplay between the writing, directing, and archival research: what I could find that was in Paul Attanasio's script, and whatever else I found in my research that might work or that piqued Paul's interest, or Steven Soderbergh's... A colleague of mine in the art department, Joanna Bush, created an amazing database of all the footage I'd collected. It was organized based on the geography of Berlin. So that on Steven's computer, he could click on a map of Berlin and it would find all the archival footage that I had gotten on a particular plaza or a particular street or a particular location, and pull up all that archival footage and all the stills. Steven could know where he was situated in Berlin, and the art department could recreate a particular strasse. We'd know the ruins and we'd know how much that area was bombed out and all that." <a href="http://www.zoom-in.com/blog/2006/12/kenn_rabin_on_the_good_german.php">More...</a>

* "My first exposure to <a href="http://www.lrb.co.uk/v28/n24/hack01_.html">the subject</a> came in a book by another medical anthropologist, Margaret Lock, whose Twice Dead (2002) is a brilliant comparative anthropology of Japanese and North American attitudes to brain-death as the criterion of death. Hence the title: a person is ‘once dead’ when technical criteria establish that the brain has stopped, while the body is still ticking over quietly on a ventilator; ‘twice dead’ when the heart is stopped and the organs harvested."

* "What, he wondered, did we want to do? Did we want to eat, to drink, to fuck? <a href="http://www.villagevoice.com/film/0650,hoberman,75276,20.html">Uh, dinner sounds cool</a>."

* And last, but not least, the <a href="http://www.kirchersociety.org/blog/?p=1123">Athanasius Kircher Society 2006</a>]]></description>
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